I can’t believe it’s already the end of September. My eldest daughter got married one month ago, and my twins have been back in school for three weeks.
Writing the second draft of my novel (which I’m calling the first draft since I’m calling the novel-like pile of words I completed my zero draft) is going much slower than I expected. I think this is because when I wrote that initial draft I did more “discovery” writing than I thought – the story crystalized as I wrote it.
It took me two-and-a-half weeks to write/rewrite the first 5000 words in which I introduce two of the three POV characters, their goal, the world, and foreshadow the third main character.
I got stuck when I started writing/rewriting the next chapter of the novel in which I introduce the third POV character, his goal, another part of the world, and the main villain. I realized I had no idea how this third hero would interact with the villain initially, before he is aware of their conflict. In my first/zero draft I worked out the what/why/how for the villain later, but not so much in the beginning.
My solution: Summarize the novel from the villain’s point of view.
That brought so much of the story into focus for me. It also clarified the motivations for another character… the one who betrays my main characters.
It’s Autumn! Teddy gets to help rake leaves.
A robin in the tree outside my house.
Last weekend I attended Foolscap, a small, local Fantasy and Science Fiction convention. One of several cool things about Foolscap is the Friday Writer’s Workshop. I got to attend four presentations, all of them extremely useful and informative.
The Villains workshop was particularly eye-opening for me. It was taught by the amazing Kat Richardson, author of The Greywalker Novels. She recently wrote an essay, “A Wretched Hive of Scum and Villainy” about how important a Villain is to a story. Kat is not only a gifted writer, but also an excellent teacher.I had several actual “ah-ha” moments during Kat’s workshop. In particular, I have two short stories I’ve been working on that were sort of “stalled” because I knew something was wrong, but I didn’t know what. Now I know – they need a “better” villain! The villain defines the conflict. If the story is kind of ho-hum and uninteresting, it’s probably because the conflict is too vague or undefined. What does it need? A villain. A villain that’s as deep and fleshed-out as the hero.
I shouldn’t have been surprised. A couple weeks ago I was in the process of creating my new character for a GURPS-based role playing game. My husband and I joined a group that is just starting a new campaign. So I was paging through the “GURPS Basic Set: Characters” book, reading about possible Advantages and Skills for my character. I mostly skimmed through the positive traits I could “buy” with points. The Disadvantages (faults) and their consequences were far more interesting. (I chose “Weirdness Magnet”, -15 points.)
A robin and his breakfast.
Speaking of villainy, I am now a First Reader at Strange Horizons! I am very excited about this opportunity. It’ll take a lot of time and work, but I feel so honored to get this awesome learning experience!
No, I will not be blogging about reading from the “slush pile”. For anyone that is interested in an “inside perspective” from the point of view of experienced First Readers, I recommend Sarah Olson’s blog post (from a few months back) “Slush Readers’ Advice for Writers”.